Are you looking for lighting software for your church that's budget friendly and easy to use without compromising on power and reliability? If you are, then Lightkey is the software for you and your church. For the past couple years, I was using myDMX 2. The one main glitch that we continued to see time and time again was that when we're running the software on our Mac, the CPU usage in our activity monitor was skyrocketing.
During our rehearsals and worship services, the computer running this software was starting to lag like crazy which was really frustrating for the volunteers and for myself. I tried to do a ton of research to figure out how I could troubleshoot this problem, and I think it had something to do with the midi automation.
As I looked for a new software to replace myDMX 3. We can't have the software glitch in the middle of a worship service and then have all the lighting scenes go haywire. I don't think software needs to be free because that means there's no development and support going into it.
I'm not a big fan of open source software because often it's confusing, takes forever to figure out and there's lots of weird glitches and bugs you have to deal with. I'm willing to pay at least a couple hundred bucks if something is supported, it's reliable and it's just going to work. I don't know what it is about lighting software over the past years, but they all seem really confusing when you look at the software. The user interface looks like the cockpit of a jumbo jet. It can get pretty frustrating especially in our church context when we have volunteers who aren't professionally trained.
We need it to be super intuitive for them and we don't want them to have to get a professional lighting degree to run lights for our worship gathering.
At our church, we're small, we don't have a huge tech team so we automate our lighting changes. This is really cool when you use Ableton Live to send cues so I can automate light changes throughout our songs, and we can create seamless transitions in the way that our light changes throughout the service.
The world of lighting control has evolved and you can run software directly from your computer. I know there's a lot of great PC based software out there, but I prefer running all Macs. For my team, it's better to keep things all Macs all the time.Sonicwall drop code 734
Mac has a really powerful, stable midi network app that makes it easy to connect any Macs and set up automation. As I browsed their website, I was super impressed. I downloaded it for free to check out the user interface before buying a license, and I was super impressed.
To make sure it was as great as I thought it was, I also searched the Lightkey app in various worship ministry Facebook groups to see what type of experience people were having. Everything I read was positive. People loved it. I was quickly sold on this app. I told our pastor about it, he approved it, we purchased a license for the app, we purchased our USB to DMS dongle that's compatible with the app to be able to plug it into our lighting system, and we were up and running.
First, buy Lightkey software.Crime management system project report pdf
Like I already said, you can download the software for free, but you'll have a very limited version of the software. Still, you'll be able to experience it enough to see whether or not you like this type of user interface. They have different tier licenses priced at annual subscriptions. That may seem a little bit pricey, but in my opinion it's worth it because you're investing into a software that's well supported, and it's going to be continually updated and made better over time.To output more than one DMX universes we recommend to use an interface with multiple output ports.
Swipe and pinch gestures require multi-touch trackpad or Apple Magic Trackpad. Force click requires trackpad with Force Touch. Open User Guide. System Requirements Mac computer with macOS Live preview with 3D virtual light beams Direct manipulation of fixtures within the visualization Preview can show multi-beam fixtures, including LED strips, bars, matrixes, and PARs grid, ring, or hexagon layout Effect generator with over 50 fully editable effect templates Built-in fixture editor allows on-the-fly changes Extensive keyboard control and support for multi-touch gestures External control through DMX-In, any standard MIDI controller, and customizable keyboard shortcuts.
Up to 4 DMX output universes channelsdepending on license 2 DMX input universes channels Variable output rates from 30 through 44Hz Supports numerous USB interfaces and output protocols through the Open Lighting Architecture OLA Can integrate with an existing OLA server optional Automatic detection of connected Art-Net nodes through Art-Poll Blind mode allows making changes without affecting the DMX output while cuelists, sequences, and effects continue to run Freeze DMX output and seamlessly resume cuelists, sequences, and effects DMX output window shows live channel values for universes or individual fixtures Conditional fixture properties through Operation Mode property Supports bit output values.
DMX-In Input from up to two DMX universes User-definable triggers and actions Automatically adds trigger when a channel in an input universe changes Automatic detection of control type button vs. Unified user interface for patching universes and fixtures Patch fixtures by drag and drop from the fixture library Auto-assigned short names Patch multiple identical fixtures to the same DMX address DIP switch display Reassign a different profile to existing fixtures Print an overview of all fixtures including patching information and comments.League skin leaks 2020
Take an in-depth look.The only thing you have to do is to connect your computer to the same ethernet network as the Pioneer CDJ's.
Your computer will automatically participate in the same network. The software makes it easy to create perfectly timed shows for Rekordbox analysed tracks within minutes. The software sends out signals to other applications and devices to synchronize time and tempo. It can trigger video effects, pyro, lighting and all other you can think of that makes your show stunning.
ProDJLink supports a lot of outputs that could be used with many applications and devices. In the help section of the website there are interesting and informative articles about a tiny amount of those compatible applications and devices. ProDJLink is able to connect with the most industry standards for synchronizing shows. Ableton Link is a widely used protocol for keeping the tempo and beat alignment of devices in time over a local network. The communication can even be used in combination with mobile Apps.How to control your entire worship service with Ableton Live (tracks, lights, and slides)
On the Ableton Link help page you can find some of those Apps. Timecode is a signal that sends out the exact time. ProDJLink generates several kinds of live timecode.
ProDJLink is able to automatically share the tempo from the Pioneer master deck. Stay up to date by subscribing to our mailing list. When you are subscribed you will be informed about special offers and about new release info. Home current Help Try free Buy Release notes.
The Best Lighting Software for Churches – Lightkey Review
ProDJLink A time machine that brings your productions to the highest level ever. Easy to setup with an ethernet cable or a wireless connection. Powerful control software there is no additional hardware required. Designed for precision up to 30 frames per second ProDJLink is created for synchronizing your Pioneer DJ setup to all kinds of show effects. How does it work? Sunlite suite. Compatible with The new MIDI clock Ableton Link Ableton Link is a widely used protocol for keeping the tempo and beat alignment of devices in time over a local network.
Ableton Link Logo. Time moving on Timecode Timecode is a signal that sends out the exact time. Timecode Icon. Beat Clock Icon.Do you prefer the physical controls on a lighting console? Then you can have the best of both worlds. You can map each hardware control to whatever feature you like and build your own custom-tailored show control desk to trigger cues, presets and sequences, adjust fixture properties, tap the beat, and whatever else you need.
Designed for the needs of creative lighting designers, Lightkey breaks free from the old thinking about DMX values and channels. The current state of your fixtures is always visible in the live preview. Simply concentrate on the perfect light show and let Lightkey translate it to the proper DMX values. The built-in graphical editor lets you recreate the stage or dance floor on the screen. Apart from your fixtures you can add shapes, trusses, and custom images.
Easily copy and paste properties and effects between fixtures — even fixtures of different types. Of course, you can undo as well.
The Design view automatically adapts itself according to your fixtures and their properties so you only see the controls you really need. Choose from over 50 effect templates or create your own pattern, curve, or movement effects. Effects can be applied to almost any fixture property and stored in presets and cues while staying editable all the time.
Apply effects to multi-beam LED strips and matrixes. Synchronize effects to music. Overlay multiple effects for countless possibilities. The unique Live Triggers feature makes it quick and intuitive to trigger lighting cues directly from Ableton Live: Simply drag cues you created in Lightkey to the Ableton Live timeline. An interactive assistant guides you through the entire setup process: Configure DMX output, patch your fixtures, create a visual representation of the stage.
Everything you need is cleanly arranged in a single window, providing you with exactly the controls you need at any time. The elegant, white-on-dark UI has been specially designed for use in low-light environments—it even adapts itself to the light colors. Pinch, swipe, scroll, force click: With a Multi-Touch trackpad you can change fixture properties in a natural way.
A clever, well-structured, and extensible system of keyboard shortcuts lets you control virtually every application feature.We see posts on a weekly basis in the forums and on Facebook groups where people will ask what lighting software can I use on my Mac? D-Pro offers a great variety of effects, multi-layered cuelist playbacks, scripting and the creating of palettes.1934 chevy master sedan
D-Pro can suit your needs for big and small lighting rigs. Next, on the list we have Lightkey. Lightkey offers virtual light beams to allow you to see where your fixture will be when you program it or if you are running the show from the wings and not being able to see all the fixtures. Lightkey has a built-in stage editor. The stage editor allows you to create your dance floor or venues on the software, You can add your fixtures, shapes, trusses and custom images, this allows you to design your whole set from home.
You can even copy and paste effects between fixtures, This is not limited to similar fixtures, You can copy and paste from any fixture to any fixture. The effects engine is one of the most powerful effects engines in its league. You can choose from 50 built-in effects or create your own, You can overlay effects and apply it to almost any attribute. Lightkey can sync with Ableton Live, Drag your cues to the Ableton timeline and you can sync your lighting perfectly with your music!
Then, we have ChamSys. ChamSys consoles can be seen on countless shows and tours around the world and is a big competitor in the workhorses of lighting consoles. MagicQ supports morphing, this is similar to other platforms swap and allows you to transfer your programming from the old fixture to the new fixture seamlessly.
MagicQ also has cloning, this allows you to add more of the same fixtures to the rig without having to program them, it basically copies and pastes the fixture and gives it a new address. MagicQ includes a powerful Pixel Mapping engine that enables images, movies, text, and live video feeds to be mapped onto grids of LED fixtures, dimmers or movers. If your amount of fixtures changes, MagicQ gives you the ability to change this instantly without having to re-program. If you not able to be with the rig, or are on tour, MagicVis is there to help you and comes free with the software.
MagicVis is a powerful visualization system fully integrated with ChamSys MagicQ software, It enables you to pre-visualise your show, to program blind and to automatically generate rigging paperwork including plots and patch lists. Last but not least we have a new player that has entered the lighting industry by our friends over at Equipison called the LightShark. Does D-Pro suit your fancy?Here I describe a method for utilizing Ableton Live and some third-party plugins to create an automatic DMX light controller system.
The system also implements the iPad for controlling the lights when automatic sequences become boring. My initial thought was to use the microphone on one of the fixtures and use this light as the master that would control the rest of the lights slaves. This simple approach has two problems. This prevents one from assigning certain frequencies e. One could of course apply the integrated microphones in each fixture separately and adjust their frequency responses accordingly essentially having no master fixturebut this would result in a horrible, uncontrollable mashup of all possible colors.
The other problem is that having a fixture made by company A does not necessarily talk with the fixture from company B in a logical way. As a bonus, I wanted create a simple iPad interface for overriding the automatic controls in favor of more specific lighting scenarios.
First, audio is fed into Ableton Live.Craigslist evansville
Then, the audio is transformed to midi data and assigned to specific lights. Using an external microphone for capturing and analyzing music is possible, but issues such as reverb, general muddiness and dependency on stable volume level are a nuisance. Instead of using a separate mic for capturing the audio, the audio was routed internally to Live. The output from this was fed to the master channel, which was finally output to the PA-system through a hardware mixer.
Internal routing also allowed for easy delay adjustment directly in Live, which was necessary to compensate for the lag arising from audio-to-midi conversion. The key part was transforming the music into midi data in real-time. Live offers audio to midi conversion of readily recorded tracks, but not real time conversion. After about an hour of googling I discovered a Max for Live plugin that does exactly what I wanted.
The triggered midi note is then routed to a channel in Ableton Live that contains a Drum Rack 2nd phase containing Notes, see next paragraph. Note that only a single note may be output per channel and the only aspect of the incoming audio signal that is analysed, is its velocity. Note that for each frequency area that you want to isolate, a fresh track is required. I ended up only using two different frequencies: one that separates the kick drum relatively easy and one that tries to pick up the snare not so easy.
Some consistency, or a theme, is usually a good idea. The key to this is utilizing the master fader of the fixtures not all fixtures have this option, though. This clip was always playing unless it was overridden by the iPad, see end of post and it contained no master intensity data.
Instead, it told each fixture in the rig to be e. These simply displayed a dim ambient glow representing the current color scheme.
I wanted the setup to contain some sort of song structure recognition. I wanted the strobe light go off when the bomb is dropped. When this specified amount of time was over, the volume would cross the gate threshold, which would then send a short audio clip to the audio-to-midi plugin and eventually flash the strobe for a specified amount of time.
This worked out very well.
How Can I Control Lighting From My Mac?
I had the idea of creating some custom midi clips besides the default light runner that would contain interesting lighting sequences.
These sequences could then be launched using Lemur from an iPad. This was as easily done as it was said, since we use a similar setup for launching backing tracks in our live shows. I created a simple user interface in the awesome Lemur Editor and mapped the midi outs of the buttons in the interface to the midi clips. The Lemur template also contains a metronome, just for fun. I liked this post. In fact i tried the above and it works like a charm. Although there are some nitty gritties, it really makes a good show.My solution is to connecting our Macs using an ethernet cable instead of using wifi.
Using the dongles, connect the ethernet cable. It will go all the way from stage to the tech booth into the dongle for the mac running PropPesenter and Lightkey. Protip: If you need to connect multiple computers, you can use an ethernet hub.
On both computers : Turn wifi off. Make sure the LAN option is selected.
Materials you’ll need
It will say Self Assigned IP. This is where I keep all of my Midi Network Sessions. I usually have three sessions running:. Repeat the process for Ableton Laptop - Remote. Now the computers are talking to each other over the hardwired ethernet connection. You can watch how seamless the system works here. As you know, I love using Ableton in all of the worship services I lead. If you want to learn how to use Ableton Live, run click and tracks, automate lyrics and leverage Ableton for your worship services, then check out my free, 7-step masterclass to help you become an Ableton pro.
Church Sound Course. Live Streaming Course. Ambient Pads. Free Toolkit.
July 2, Ableton LiveChurch Production. Jake Gosselin. On both computers : Turn wifi off 4.
Exit System Preferences 8. Repeat the process for Ableton Laptop - Remote Recap Now the computers are talking to each other over the hardwired ethernet connection. Brian Wahl.
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